Cuckoo's Nest Николаев, Ukraine
"Cuckoo's Nest" project formed in 2011 in Mykolaiv, south of Ukraine. First album was released in September 2012 and called "Dark shades of lunacy". Second, "Everything is not as it was yesterday" was released in November 2014 by Pest Prod. (China). In December 9, 2017 split with Crescent Days "Traces of burnt feelings". 1st November 2018 - "Tales of human being" released. ... more
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supported by 11 fans who also own “So close, too far away...”
Read the prescription Take this as medication And listen to these Soul cleansing hugs Thanks, this works very well !
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Life has gone on long enough
by NONE
supported by 10 fans who also own “So close, too far away...”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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supported by 9 fans who also own “So close, too far away...”
I love Drudkh and love Svrm as well. Really well executed groovy BM! I love it.. looking forward to other releases!
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Altäre der Vergänglichkeit
by Wrack
Crushing blackened doom from this German band that counterbalances blinding fury with moments of surprising, melancholy melody.
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Tokyo band contrast black metal's brutal complexity with shoegaze's abyssal grandeur, resulting in an LP that feels crushing, yet infinite.
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An outstanding slab of atmospheric black metal, “Sisyphus” cannily blends texture and terror for a gripping final product.
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supported by 9 fans who also own “So close, too far away...”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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